My first misteri is the definitive, exquisite encapture of lost (female) youth. This is what they are, this is what they do, and how they do it, and why exactly ; and there's uncounted, uncountable millions of them. Alienated if eager -- the fictitious heroine depicted braver than most (though not all, far, far from all) but otherwise as thoroughly representative an icon as fiction could ever be squeezed into -- but alienated as prime substance, as central, essential quality. Young females are made of alienation like blocks of wood are made of cellulose, that's what they, substantially, areii ; everything else (including "apathy") a layer painted on top if not simply feigned atop (and in the case of "apathy" very much an' quite universally feigned if "present", yes, of course).
The problem, as you perhaps expect (and eminently brought to life by J. Goodman but otherwise subtly omnipresent and quite transparently visible throughout) is that everyone folds way the fuck too quickly, too easily, way way too fast in any case (and this includes the film's lesbauthors, though I don't want to spoil it for you, at least not beyond saying that yes, young women are quite as openly, plainly, pointedly an' fundamentally inheritable, of course they are).
All in all this is a delightfuliii if slightly AEsopic piece -- but then again, AEsops were never malum in se ; they're just as a rule terribly done by the marauding idiot party, which tends to give them an (undeserved) bad name more generally than can ever attach. You definitely should see this thing ; though unless you can see it with a woman half your age you're probably wasting your time. I don't mean, "you're probably wasting your time watching it" ; I mean you're probably wasting your time outright & altogether.———
- 2001, by Christine Lahti / Jill Franklyn, with Albert Brooks, Leelee Sobieski (John Goodman also plays a minor part, which is how I even found this thing in the first place -- or rather I should say the torrentmistress found it). [↩]
- Because the Japanese adolescent didn't merely not know how to do her hair before her husband showed her, but she actually didn't even have any hair, at all, it's just not a thing for her to have, of her own, by herself. No se si mi spiego. [↩]
- The Polish chick in the vignette to the right (Liliane Rudabet Gloria Elsveta Sobieski, no shit) is particularly deserving of the epithet.
That bitch can act.
Do you realise she appears fat, somehow, throughout her screentime ? Yet she's not fat, she just acts it, as if to answer a question from the uninvolved public (that nevertheless would very much like to be actresses but also very much aren't, at all).
Too bad nothing came of her career (unless, of course, you count Cecile in Dangerous Liaisons [the made-for-TV miniseries] as a something). Speaking of which, you got any idea whatever happened to Alyson Hannigan ? You know, the "one time, at band camp" chick that was pretty much everywhere in the early 00s ?
Bitches really needed an agent, like, a real one, huh!