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	<title>Comments on: True Romance (Tarantino cut)</title>
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	<link>http://trilema.com/2013/true-romance-tarantino-cut/</link>
	<description>Moving targets for a fast crowd.</description>
	<pubDate>Sat, 16 May 2026 17:07:39 +0000</pubDate>
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		<title>By: The anti-True Romance on Trilema - A blog by Mircea Popescu.</title>
		<link>http://trilema.com/2013/true-romance-tarantino-cut/#comment-154708</link>
		<dc:creator>The anti-True Romance on Trilema - A blog by Mircea Popescu.</dc:creator>
		<pubDate>Sun, 04 Oct 2020 16:48:10 +0000</pubDate>
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		<description>[...] if you liked True Romance (the director's cut!) I propose you see this too. You'll probably enjoy it, in the cultivated, [...]</description>
		<content:encoded><![CDATA[<p>[...] if you liked True Romance (the director's cut!) I propose you see this too. You'll probably enjoy it, in the cultivated, [...]</p>
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		<title>By: Due soldi di speranza on Trilema - A blog by Mircea Popescu.</title>
		<link>http://trilema.com/2013/true-romance-tarantino-cut/#comment-153206</link>
		<dc:creator>Due soldi di speranza on Trilema - A blog by Mircea Popescu.</dc:creator>
		<pubDate>Thu, 30 Jul 2020 16:47:59 +0000</pubDate>
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		<description>[...] on any pine of your choice -- and yet she fills, and she stretches. In the immortal words of an excellent celluloid psychopath, "you've got a lot of heart, kid!". She does, and it stretches everything around her to fit. [...]</description>
		<content:encoded><![CDATA[<p>[...] on any pine of your choice -- and yet she fills, and she stretches. In the immortal words of an excellent celluloid psychopath, "you've got a lot of heart, kid!". She does, and it stretches everything around her to fit. [...]</p>
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		<title>By: A story of candy, but with an eye rather than a why. on Trilema - A blog by Mircea Popescu.</title>
		<link>http://trilema.com/2013/true-romance-tarantino-cut/#comment-152402</link>
		<dc:creator>A story of candy, but with an eye rather than a why. on Trilema - A blog by Mircea Popescu.</dc:creator>
		<pubDate>Sat, 20 Jun 2020 19:02:25 +0000</pubDate>
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		<description>[...] do you mean no ?!" "I'm never going back there. I don't want any of that stuff." "But... I mean... it's your stuff!" "It was. Now I don't want it anymore." "That's..." "The craziest thing you ever heard ?" [...]</description>
		<content:encoded><![CDATA[<p>[...] do you mean no ?!" "I'm never going back there. I don't want any of that stuff." "But... I mean... it's your stuff!" "It was. Now I don't want it anymore." "That's..." "The craziest thing you ever heard ?" [...]</p>
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		<title>By: thelastpsychiatrist.com - Bad At Math. Adnotated. on Trilema - A blog by Mircea Popescu.</title>
		<link>http://trilema.com/2013/true-romance-tarantino-cut/#comment-146572</link>
		<dc:creator>thelastpsychiatrist.com - Bad At Math. Adnotated. on Trilema - A blog by Mircea Popescu.</dc:creator>
		<pubDate>Wed, 08 Jan 2020 14:13:38 +0000</pubDate>
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		<description>[...] someone's sidekick. Not to say "almost never" means "never" -- Tarantino's villain (Gandolfini) in True Romance is so fucking scary specifically and precisely because he does confuse the two, and he is [...]</description>
		<content:encoded><![CDATA[<p>[...] someone's sidekick. Not to say "almost never" means "never" -- Tarantino's villain (Gandolfini) in True Romance is so fucking scary specifically and precisely because he does confuse the two, and he is [...]</p>
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		<title>By: Fracture on Trilema - A blog by Mircea Popescu.</title>
		<link>http://trilema.com/2013/true-romance-tarantino-cut/#comment-146436</link>
		<dc:creator>Fracture on Trilema - A blog by Mircea Popescu.</dc:creator>
		<pubDate>Wed, 08 Jan 2020 14:05:42 +0000</pubDate>
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		<description>[...] story flows convincingly, up until the last, happyending-required, contortion.v Ryan Gosling in particular shines against Hopkins' trademark velvet of a performance, [...]</description>
		<content:encoded><![CDATA[<p>[...] story flows convincingly, up until the last, happyending-required, contortion.v Ryan Gosling in particular shines against Hopkins' trademark velvet of a performance, [...]</p>
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